Dress Your Family in Corderoy and Denim (David Sedaris)


November 13th, 2006

Dress Your Family... Witty gay man tells stories: A great cocktail party or a great book by David Sedaris, whose talent is for taking the ordinary or the embarassing and turning the tables, painting over the black white and gray with a rainbow of colors. Though he hates the rainbow flag being associated with “alternate lifestyles” (read: alternate sexualities) and swears he wasn’t asked to vote on that one.

I didn’t enjoy this book quite as much as Me Talk Pretty One Day (read that review here). The stories in this book were more “a day in the life” tales, whereas the other colelction (his first, I believe) were more the stories he had been accumulating over a lifetime, refining and analyzing to comic perfection. The cast of characters, which includes Sedaris’ unique family and his long-time boyfriend, is still both funny and human, light and yet often moving.

Case in point. One story regards his visit to his sister’s, where she vents the family-wide annoyance with Sedaris’ work and how it puts them on display for the world to see–at their most vulnerable, naked to their core personalities.

“We stopped for gas on the way home and were parking in front of her house when she turned to relate what I’ve come to think of as the quintessential Lisa story. ‘One time,’ she said, ‘one time I was out driving?’ The incident began with a quick trip to the grocery store and ended, unexpectantly, with a wounded animal stuffed into a pillowcase and held to the tailpipe of her car. Like most of my sister’s stories, it provoked a startling mental picture, capturing a moment in time when one’s actions seem both unimaginably cruel and completely natural. Details were carefully chosen and the pace built gradually, punctuated by a series of well-timed pauses. ‘And then… and then…’ She reached the inevitable conclusion and just as I started to laugh, she put her head against the steering wheel and fell apart. It wasn’t the gentle flow of tears you might release when recalling an isolated action or event, but the violent explosion that comes when you realize that all such events are connected, forming an endless chain of guilt and suffering.

I instinctively reached for the notebook I keep in my pocket and she grabbed my hand to stop me. ‘If you ever,’ she said, “ever repeat that story, I will never talk to you again.’

In the movie version of our lives, I would have turned to offer her comfort, reminding her, convincing her that the action she’d described had been kind and just. Because it was. She’s incapable of acting otherwise.

In the real version of out lives, my immediate goal was to simply to change her mind. ‘Oh, come on,’ I said. ‘The story’s really funny, and, I mean, it’s not like you’re going to do anything with it.’

Your life, your privacy, your occasional sorow — it’s not like you’re going to do anything with it. Is this the brother I always was, or the brother I have become?”

Telling a story–telling a true story–can be a powerful thing, which is naturally why we love them so much, especially when someone like Sedaris is the story-teller. Those tales are real, real people, real circumstances… of someone who is not us, who we don’t feel bad about laughing at. In Sedaris’ case, though, he often makes sure we are laughing with him, with his family and friends. We laugh because we see ourselves there. And that is no mean feat.

Read this book. Read this book if, especially if, you don’t usually read books. It may just give you the bug.

Rating: 4 out of 5 stars - Book club selection


Trackback URI | Comments RSS

Leave a Reply

You must be logged in to post a comment.