A Literary Life

The Brief Wonderous Life of Oscar Wao (Junot Diaz)

It’s been a while since I liked a book this much, since a book actually made me feel as if I were discovering something never before touched by my eyes, a style never conceived of in my tiny little brain. It’s obvious when I really like a book from the beginning solely because I talk about it often — and in some detail — with my non-reader fiance, who listens attentively but will probably never pick up the novel I’m extolling. (I’m just being honest here, Love. I know you have your best intentions.) But I would probably talk about this book to anyone with earshot when I have it in my hands, about how irreverent yet honest the story is, how deep it digs into Dominican-American culture, how funny, how true to life, how simultaneously down to earth and moving.

It is the story — duh — of Oscar Wao, the first-generation son of a single mother from the Dominican Republic. While the Dominicans (especially the men) have a reputation for masculine prowess and womanizing (I don’t know Spanish that well, but the book must have at least six Spanish words for pussy vagina), Oscar is instead an overweight and over-vocabularied nerd of the highest degree. Sci Fi and fantasy novels, comic books, anime: You name it, Oscar loves it, and the narrator inserts these great nerd references whenever humanly possible. Check out the geek speak when describing the binding thread of the Oscar’s family’s story, a supposed curse or fuku placed on Oscar’s grandfather but common in many Dominican stories:

“It’s important to remember that fuku doesn’t always strike like lightning. Sometimes it works patiently, drowning a nigger by degrees, like with the Admiral or the U.S. in paddies outside Saigon. Sometimes it’s slow and sometimes it’s fast. It’s doomish in that way, makes it harder to put a finger on, to brace yourself against. But be assured: like Darkseid’s Omega Effect, the Morgoth’s bane, no matter how many turns and digressions this shit might take, it always — and I mean always — gets its man. “

Yes, this book won the Pulitzer Prize. And yes, it cusses like this on almost every page. And hell yes, I love what the world of literature is coming to. (No sarcasm here. I promise.) Diaz can be simultaneous crass and erudite. While cussing can often be juvenile, Diaz uses it like a cultural weapon and proves he’s doing it deftly, purposefully. The below, for instance, is a description of Oscar’s mother as a girl:

“I mean, what straight middle-aged brother had not attempted to regenerate himself through the alchemy of young pussy. And if what she often said to her daughter was true, Beli had some of the finest pussy around. The sexy isthmus of her waist alone could have launched a thousand yolas.”

An allusion to Helen of Troy and the word pussy on the same page? With vocab biggies like isthmus and alchemy? Wow, or rather Wao.

And while Oscar may be a lumbering, pitiful and heart-rendingly sweet geek, he’s still a Dominican, passionately interested in women, who thinks girls “were the beginning and the end, the Alpha and the Omega, the DC and the Marvel. Homes had it bad.”

I loved joining Oscar on his quest for romance, in his depths of self pity and despair. I loved watching the present and the past of the story unfold, seeing the patterns but being left wanting more, wondering, my mind tripping back over the story to make connections. But perhaps above all, I loved this witty, bantering voice Diaz masters in the narrator. He’s part David Foster Wallace with his footnotes and educated allusions, and he’s part street-level shit talking at its finest, silver tongued and savvy. It’s simply excellent prose, even if you get a little confused at the Spanish sections — don’t worry, everything absolutely vital is translated. Much like Oscar’s life, the novel was wondrous, taking the nitty-gritty everyday and sprinkling some magic dust and cuss words to take it to the next level of meaning.

Can I put this on our wedding registry? Anyone?

Rating: 5 out of 5 stars - Buy the hardcover

The Center of Everything (Laura Moriarty)

This quick, easy read was something that I needed after the long haul of Sacred Hunger, so quick I finished it in a few days and so easy that I’d really classify it as young adult/teen reading. It is, of course, about a teenager living in Kansas — aren’t all teens at “the center of everything,” at the center of their own universes? In the standard after-school-special fashion, Evelyn has to make the tough but typical choices about what to believe, who to emulate, how to be true to herself and what she really wants out of life.

Though I found the novel lukewarm in general, I did enjoy the comparison between the main character and some of her friends who make different (read: not so great) decisions, which accurately portrayed how little things (or things you think are small potatoes) you do in your teens can change your entire life. That the main character emerges unscathed from the morass of high school is depicted as a mixture of brains and luck, which is really what it takes get through those stormy years. At least, so it seems to me in hindsight. I often think that if I was given another set of circumstances or thrown a curve ball or two, it would have been very, very easy to stumble off a cliff, changing my life as I know it. As a teen, you’re really unaware about how precarious it all is and, again, how much pure luck factors into things.

This little teen tale will soon disappear from my brain as quickly as it was absorbed, I’m sure, but it was just what the doctor ordered: Like a sorbet between courses, easy reading sometimes cleanses the palate, making reading fun again after a particularly heavy tome. Not every book has to be meaningful or unique. Sometimes you just want to hear a story, any story, just to reawaken your joy of books.

Books, books, books. So many books.

Rating: 3 out of 5 stars - Vacation reading

Sacred Hunger (Barry Unsworth)

It took me an embarrassing long time to read this book for several reasons: more home improvement (I know, the excuse is getting old), addiction to the book on tape I recently downloaded and the fact that it was overdue at the library. You see, when a book is overdue and can no longer be renewed, you’re paying by the day. At least for me, this makes it more of a challenge and I’ll never throw in the towel. NEVER!

Long story short — unlike my excuse — the book sat with it’s book mark 80 pages from the end for almost two weeks, even though it was an artful and compelling novel, a book worthy of it’s Booker Prize. Tackling vast philosophic and historical issues like imperialism, capitalism, slavery and racism, you might think that the tale would be preachy or snobbish. But instead, the author fleshes out characters that feel right at home in this (to the modern mentality) foreign, brutal and immoral world. The rich son of a trader whose religion is commerce and revenge. His cousin, a fallen-from-society doctor who signs onto a slaving ship, writing himself off into whatever pain he can find. The conscripted sailors, the seasoned and brutal captain, the cringe-worthy depictions of Africans sold into slavery.

All told in a somewhat formal style. In fact, it reminded me quite a bit of the writers of the time period of the book — probably an intentional touch meant to drive the reader deeper into the past. However, the prose lacked the confusing flourishes of the period enough to lull a modern reader in, and the style was often striking and original.

(The slave ship was) a member of a vast fleet sent forth by men of enterprise and vision all over Europe, engaged in the greatest commercial venture the world had ever seen, changing the course of history, brining death and degredation and profits on a scale hitherto undreamed of.

That the ship was a mere corpuscle in this nourishing bloodstream was not easy to imagine for the men aboard her. To them she was a universe of routine tasks and routine sounds — the bell marking the half hours, shouted orders, the way of the waves, the wincing tune of the timbers as they were exercised by the sway of the sea. Forces less tangible but equally determinate worked on the men and they were set in relation to one another in sympathy or antipathy, as happens in all communities.

The title refers to trade, to the blindly ambitious commercial and imperial endeavors of the day, which were sanctioned by king, country and God.

Money is sacred, as everyone knows, he said. So then must be the hunger for it and the means we use to obtain it.

To take something as vile and despicable as slavery and immerse a reader in a world in which the practice is defended, is seen as common sense and morally just — and then to slowly have the characters wake up to a sense of disgust … I believe it takes an author of real talent to succeed at such a large undertaking, especially without denigrating or simplifying the historical figures involved, keeping them human and complex.

Deep? Yes.  Light reading? No. But Sacred Hunger (I agree with what I’ve heard) is just as worthy of critical praise and readership as the other book that shared the Booker Prize that year, The English Patient. And I think it could make just as good of a movie, too, replete with lots of ocean panoramas and violence, exotic locales and people and ideas.

And I think it’s worth the $2.10 I owe the library for the privilege of reading this intense novel.

Tidbit No. 30

(Via A Commonplace Book)

The National Endowment for the Arts has an initiative you may have heard of called the Big Read. According to the website, its purpose is to “restore reading to the center of American culture.” They estimate that the average adult has only read 6 of the top 100 books they’ve printed. ( More commentary after the list.)

Here’s what you do:
1) Look at the list and bold those you have read.
2) Italicize those you intend to read.
3) Underline the books you LOVE.
4) Reprint this list on your own blog.

1 Pride and Prejudice - Jane Austen
2 The Lord of the Rings - JRR Tolkien
3 Jane Eyre - Charlotte Bronte
4 Harry Potter series - JK Rowling (I’ve just read the first)
5 To Kill a Mockingbird - Harper Lee
6 The Bible
7 Wuthering Heights - Emily Bronte
8 Nineteen Eighty Four - George Orwell
9 His Dark Materials - Philip Pullman
10 Great Expectations - Charles Dickens
11 Little Women - Louisa M Alcott
12 Tess of the D’Urbervilles - Thomas Hardy
13 Catch 22 - Joseph Heller (link)
14 Complete Works of Shakespeare (Complete? Really?)
15 Rebecca - Daphne Du Maurier
16 The Hobbit - JRR Tolkien
17 Birdsong - Sebastian Faulks
18 Catcher in the Rye - JD Salinger (link)
19 The Time Traveller’s Wife - Audrey Niffenegger (link)
20 Middlemarch - George Eliot
21 Gone With The Wind - Margaret Mitchell
22 The Great Gatsby - F Scott Fitzgerald
23 Bleak House - Charles Dickens
24 War and Peace - Leo Tolstoy
25 The Hitchhiker’s Guide to the Galaxy - Douglas Adams
26 Brideshead Revisited - Evelyn Waugh
27 Crime and Punishment - Fyodor Dostoyevsky
28 Grapes of Wrath - John Steinbeck
29 Alice’s Adventures in Wonderland - Lewis Carroll
30 The Wind in the Willows - Kenneth Grahame
31 Anna Karenina - Leo Tolstoy
32 David Copperfield - Charles Dickens
33 Chronicles of Narnia - CS Lewis
34 Emma - Jane Austen
35 Persuasion - Jane Austen
36 The Lion, The Witch and The Wardrobe - CS Lewis
37 The Kite Runner - Khaled Hosseini (link)
38 Captain Corelli’s Mandolin - Louis De Bernieres
39 Memoirs of a Geisha - Arthur Golden
40 Winnie the Pooh - AA Milne
41 Animal Farm - George Orwell
42 The Da Vinci Code - Dan Brown
43 One Hundred Years of Solitude - Gabriel Garcia Marquez
45 The Woman in White - Wilkie Collins
46 Anne of Green Gables - LM Montgomery
47 Far From The Madding Crowd - Thomas Hardy
48 The Handmaid’s Tale - Margaret Atwood
49 Lord of the Flies - William Golding
50 Atonement - Ian McEwan (link)
52 Dune - Frank Herbert
53 Cold Comfort Farm - Stella Gibbons
54 Sense and Sensibility - Jane Austen
55 A Suitable Boy - Vikram Seth
56 The Shadow of the Wind - Carlos Ruiz Zafon
57 A Tale Of Two Cities - Charles Dickens
58 Brave New World - Aldous Huxley
59 The Curious Incident of the Dog in the Night-time - Mark Haddon (link)
60 Love In The Time Of Cholera - Gabriel Garcia Marquez
61 Of Mice and Men - John Steinbeck
62 Lolita - Vladimir Nabokov
63 The Secret History - Donna Tartt (link)
64 The Lovely Bones - Alice Sebold
65 Count of Monte Cristo - Alexandre Dumas
66 On The Road - Jack Kerouac
67 Jude the Obscure - Thomas Hardy
68 Bridget Jones’s Diary - Helen Fielding
69 Midnight’s Children - Salman Rushdie
70 Moby Dick - Herman Melville
71 Oliver Twist - Charles Dickens
72 Dracula - Bram Stoker
73 The Secret Garden - Frances Hodgson Burnett
74 Notes From A Small Island - Bill Bryson
75 Ulysses - James Joyce (I tried. I failed.)
76 The Bell Jar - Sylvia Plath (link)
77 Swallows and Amazons - Arthur Ransome
78 Germinal - Emile Zola
79 Vanity Fair - William Makepeace Thackeray
80 Possession - A. S. Byatt
81 A Christmas Carol - Charles Dickens
82 Cloud Atlas - David Mitchell (link)
83 The Color Purple - Alice Walker
84 The Remains of the Day - Kazuo Ishiguro (link)
85 Madame Bovary - Gustave Flaubert
86 A Fine Balance - Rohinton Mistry
87 Charlotte’s Web - EB White
88 The Five People You Meet In Heaven - Mitch Albom
89 Adventures of Sherlock Holmes - Sir Arthur Conan Doyle
90 The Faraway Tree Collection - Enid Blyton
91 Heart of Darkness - Joseph Conrad
92 The Little Prince - Antoine De Saint-Exupery
93 The Wasp Factory - Iain Banks
94 Watership Down - Richard Adams
95 A Confederacy of Dunces - John Kennedy Toole (link)
96 A Town Like Alice - Nevil Shute
97 The Three Musketeers - Alexandre Dumas
98 Hamlet - William Shakespeare
99 Charlie and the Chocolate Factory - Roald Dahl
100 Les Miserables - Victor Hugo

I’ve read 62 out of 100. Not bad. But I was really surprised with how few of those I’ve actually blogged about (12) considering I’ve been reviewing every book I’ve read since January 2006.

I think there should be another category to flag: books I’ve never heard of. A Town Like Alice? No idea. But I’ll read it. Then again, I’ll read just about anything.

And one book I’m very proud to have not read: The Five People You Meet in Heaven. I did have to read his Tuesdays with Morrie for a class, but I’m proud I haven’t yet given into this best-selling shmaltz.

The Gilded Chamber (Rebecca Kohn)

I did not go to Bible school as a child, nor was relating Christian parables a regular part of my family life. Outside of Noah, Cain and Abel, and that Technicolor Dreamcoat guy — oh, and Jesus, of course — the cast of characters in the Bible are strangers to me. (Hm. And who was the women who asked for a head on a platter? I suppose if I don’t know her name without a Google search, it doesn’t really count.) But lack of knowledge doesn’t reflect lack of interest. On the contrary, I think the rich, human stories of the Christian holy book are definitely worth reading, studying, discussing. I just haven’t actually read, studied or discussed any of them as yet.

So yay for shortcuts, like this easy, breezy novel about Queen Esther, a young Jewish virgin taken forcibly into the harem of King Xerxes and who beguiles him to the point that he makes her Queen. From the throne — where she’s given little power but lots of almond-oil beauty treatments, fancy clothing and tweezings — she is able to prevent the massacre of Jews in Xerxes’ Persian empire. As a story of girl power, it’s lacking. Esther only gets what she wants because she’s a beauty and she becomes a master of feminine persuasion. (No requests for heads on platters here.) But it was an interesting look into the female world of antiquity, especially of the drugged, catty harem women.

I’m told The Red Tent needs to be next on my list of biblical fictionalizations that flesh out the lives of women in traditionally male-dominated Christianity. And even if it makes me look like an up-tight nerd to put such a book on my list of summer/vacation reads, so be it because No. 1, I’m comfortable in my nerdiness. And No. 2, those chick-lit-reading beachgoers just won’t go to heaven because of their ignorance of the (fictionalized) Bible, right? Right?

Yeah, yeah, I know. I have a lot more about Christianity to learn.

Rating: 3 out of 5 stars - Vacation reading

The God of Small Things (Arundhati Roy)

Meet two-egg (fraternal) twins Estha and Rahel, two kids growing up in the India state of Kerala in the turbulent 1960s. Welcome to the imaginative, confusing, flowing world of two connected siblings, who see the world through each others’ (vibrantly, innocently descriptive) eyes, yet understand only shallowly the events unfolding around around them. Join them as they discover — over the course of childhood and with the distance of adulthood — “the laws that lay down who should be loved, and how. And how much.”

This Booker Prize-winning novel definitely deserved its accolades. Though it took me much, much longer than normal to get through the book (my fault, not the novel’s), I loved every little description, every meaningful encounter, every private thought. Though the story ostensibly revolves around a tragedy of youth where a young relative visiting from England dies, the tale encompasses so much more and paints a thoughtful portrait of India during that time period.

Communism and unions and the division of wealth are seen in the family’s ownership of Paradise Pickles and Preserves. Gender roles appear in the “men’s needs door” allowed in the uncles bedroom, contrasted against his sister who left her drunken husband, who is considered immoral. Westernization: Is everything foreign more valuable than what comes out of India, including people?

But yet, the overwhelming theme is loss, tragedy and guilt. Not an uncommon theme, I admit. But the talent of Roy, her offbeat yet poignant descriptive ability, brings the theme to a higher level. Take, for instance, her description of Estha, who retreats into silence in reaction to his cousin’s death:

Once the quietness arrived, it stayed and spread in Estha. It reached out of his head and enfolded him in its swampy arms. It rocked him to the rhythm of an ancient, fetal heartbeat. It send its stealthy, suckered tentacles inching along the insides of his skull, hoovering the knolls and dells of his memory, dislodging old sentences, whisking them off the tip of his tongue. It stripped his thoughts of the words that described them and left them pared and naked. Unspeakable. Numb. And to an observer therefore, perhaps barely there. Slowly, over the years, Estha withdrew from the world. He grew accustomed to the uneasy octopus that lived inside him and squirted its inky tranquilizer on his past. Gradually the reason for his silence was hidden away, emtombed somewhere deep in the soothing folds of the fact of it.

I absolutely love the irreverence of Roy’s language. Random capitalization. Repetition. Her unique titling of people and things: Estha becomes Ambassador Pelvis with his special-occasion puff; Rahel is labeled a fountain in a Love in Tokyo due to her hairstyle. Roy reaches into the brain to pull out descriptions I would never have dreamed of, but that immediately bring images to mind. For example, the twins’ mother’s appearance is gauged in toothbrushes. As she stares in the mirror, she thinks she could definitely hold one under the fold of her bottom — several even — but her smaller breasts couldn’t support one.

And unlike heavier works by just-as-gifted authors, the words alone are not the only joy of the novel. The story itself will make you ache, both in its occasional sweetness and innocence as well as its tragedy. The guilt, whether deserved or not — in this world, tragedy almost seems inevitable — is palpable. But sometimes the best of books make you feel the worst, right? And despite it being the author’s first novel, this is definitely one of the best.

Rating: 5 out of 5 stars - Buy the hardcover

Green Grass Grace (Shawn McBride)

This book recommendation has incredible social-networking roots, both physical and virtual. First of all, it’s one of the faves of a co-worker of mine who shares a love of reading. (That’s the physical networking.) Secondly, the subject of the book came up when she mentioned the author of Green Grass Grace requested her friendship on My Space because the book was listed on her home page. (How cool! I wanna be an author’s friend!) With the thoroughly modern way in which the book came to my attention, there was no surprise that the book was thoroughly modern — in its use of cursing and youth-culture slang, in the way it reminisces fondly about the 1980s (a period only recently romanticized as authors of a certain age look backward) and in the way it crossed the young-adult and adult genres so easily, making it great reading for teens as well as older (aka aging, am I really aging already?) bookies like myself.

The title of the novel refers to everything that the narrator, 13-year-old Henry “Hank” Toohey, doesn’t have but wants: the green pastures of the country, grass without lawn ornaments or the clothes of errant spouses who’ve been thrown out strewn about, and Grace, the sharp-tongued, big-hearted girl-next-door he’s in love with. The plot centers on Henry’s quest to bring his brother back from the brink after his fiancee’s death and reunite his parents by declaring his love for Grace in public, reigniting the love within his family’s memory and making things happily ever after once and for all. Yes, it’s a 13-year-old’s logic, but that’s what makes the idea so real, so touching and, of course, so doomed to complications.

Complications include bike riding, television-remote hijacking, seminars on how to take a bra off, haggling with local businessmen (all of whom want you to watch their new cable TV ad; very amusing), sitting on train tracks, neighborhood games of tag, making out behind dumpsters and more. But such juvenile antics are mixed with heavy adult topics like alcohol abuse, unfaithful marriages, death and poverty.

In fact, one of the most vibrant characters is Henry’s neighborhood itself, whose residents and houses are colorful, unique and also incredibly human. Henry’s words can be both humorous and amazingly touching. Take, for instance, his description of the neighborhood church:

Ladies and gentlemen, welcome to the cavernous St. Ignatius Church in the heart of Holmesburg in sunny Philadelphia. Let’s get ready to worship. The temperature inside is 98 degrees with higher humidity, but it still ain’t as hot as Hell, so pipe down and keep the top buttons buttoned. And shut up. And buck up. Open your hearts and your wallets. Bow down before the three oil paintings behind the altar of St. Julius Erving, St. Robert Clarke, and St. Richard Ashburn. Then light a candle at the statued feet of Jesus and Mary, who slouch and suffer on the altar, their hearts torn from thorns and burning like tire fires set by parishoners one dollar at a time in the name of someone dead.

It’s a quick, fun and interesting read. I’m interested to see, however, how this freshman author can take it to the next level, if he’s done anything recently that learns from this book or builds off his first novel experience. I can’t find anything online, though, so I guess I’ll have to ask my friend to check his My Space page.

Rating: 4 out of 5 stars - Book club selection

Tidbit No. 26

If by “low-key” you mean 200 guests and souvenir mugs and key chains, um, I guess so …

Jenna Bush bucks tradition with low-key nuptials
By Maria Puente, USA TODAY

Jenna Bush is getting married Saturday, a semi-historic event that America will not get to see. CNN will not be going live to the ceremony. People magazine will not be snapping cover pics. Paparazzi will not be hanging from hovering helicopters.

That’s because Jenna, the first presidential child in decades to marry for the first time during her father’s term, will not be wed at the White House. One of President Bush’s twin daughters, Jenna, 26, will marry Virginia Republican scion Henry Hager, 29, in an outdoor wedding at her parents’ country retreat in Crawford, Texas, secluded with about 200 of her closest family and friends.

Via Petulant in Shakesville.

Singled Out (Virginia Nicholson)

While many may think me odd for sitting down with a thick tome of social history for a little light reading, I couldn’t stop myself from wanting to read this interesting, well-researched book about Britain’s so-called surplus women, left without men to marry and love after World War I. In fact, I had to interlibrary loan the book, the Pikes Peak Library District being too backward and short-sighted to pick it up. (I don’t mean that, PPLD. Please don’t take away my heroin library card!)

“In 1921, the National Census had published. The figures were devastating … In England and Wales there were 19,803,022 females and only 18,082,220 males — a difference of a million and three-quarters. This was far worse than predicted. Already, since the end of the war, newspapers had been running scare headlines about ‘Our Surplus Girls’. By February 1920 the Manchester Evening News was running a report on Dr Murray Leslie’s alarming analysis of post-war demographics, in ‘Husband Hunting — Tragedy of England’s Million Surplus Women’. The Daily Mail caught the story, with ‘A Million Women Too Many — 1920 Husband Hunt’. But with the publication of the 1921 Census the figure doubled overnight, and the Mail’s proprietor, Lord Northcliffe, felt able to publicly refer to ‘Britain’s problem of two million superfluous women’. The phrase — with all its insinuating baggage — refused to go away.”

Much awaited, the book didn’t disappoint in the least with Nicholson’s mostly anecdotal tales of these “bach girls” (pronounced batch, as in bachelorette), surplus women, spinsters and old maids. Yes, there were a lot of negative titles for these unfortunate ladies, who not only had to experience their brothers, fiances and neighbors being killed in foreign lands, but also had to find a way to go through life without a mate — and often have society blame THEM for not following the traditional route of marriage and babies. There simply weren’t enough men to go around, so what was a girl to do? According to Nicholson, lots!

Surplus women studied at the best universities (where they could complete courses, but not receive degrees). They could get office jobs as clerks and secretaries (where they were paid a pittance compared to men doing the same jobs). They could fall into the guilt trap of taking care of aging, ailing relatives. They could set up house with a sister or a friend and become uncomfortably fond of their pets. They could go lesbian. They could go to the colonies in search of single men. They could live financially and emotionally meager existences. Some did, of course.

However, Singled Out chooses not to focus on what these women missed out on or the negative aspects of their spinsterhood. Instead, we learn about women who became stockbrokers, archaeologists, publishers, authors, diplomats. We meet women who took lovers, traveled the world, adopted children, devoted themselves to politics or public service. In fact, these single women transformed society in one short generation. Unable to ignore such a big population, the patriarchy was forced to relax. Women not only had careers and options and freedom, they were eventually accepted for having them. They got the vote. They got respect. They achieved things that it might have taken women a century to accomplish and changed Britain’s conception of women, setting the stage for the women’s rights movement/feminism of the next generation. According to Nicholson, many came to see being a wife and mother as the real cage, a boring existence they were glad to escape. (And some wives shared their opinion!)

And all because their future husbands were killed before they could ever meet.

Bittersweet and often touching, the stories of these women were fascinating reading, sad yet empowering. Singled Out (like Sin in the Second City or Dorothy Parker’s biography — Gee, am I a bit of a feminist, you think?) is the kind of non-fiction I can read all day, without the pressure of a classroom or a syllabus to MAKE me do it.

Rating: 4 out of 5 stars - Book club selection

The Remains of the Day (Kazuo Ishiguro)

Let me come out and say it: This book was one of the most inspired, well crafted and brilliant books I’ve read in a while, perhaps since The Road. Easy to read and straight-forwardly told, this story of Stevens — the last of a generation of English butlers with dignity and gravitas — surprised me with its humor and depth.

Every thread, every thought is woven together so gracefully. There was a moment at the kitchen table when I read the last page where the art of the novel hit me full force, making me see how this narrator’s personality and world view effected not only way we are told the tale, but the tragedies and triumphs of the plot beneath. In a way, Stevens is the ultimate unreliable narrator: Without artifice or intentional deception, we nonetheless see that his story is not the WHOLE story. While he spends time documenting the philosophy of his profession and his absolute dedication to it (the persona is a suit one never removes except when utterly alone, he notes), the reader sees what the unperceptive, dutiful butler doesn’t: what is really happening in the world, who the people around him truly are, their emotions, their desires.

Take, for instance, Steven’s experience on the road trip the novel centers around. Having rarely traveled far from his employer’s estate and never for simple pleasure, he observes the “greatness” of the scenery in such a unique way, what becomes a very signature way of the character.

“And yet what precisely is this ‘greatness’? Just where, or in what, does it lie? I am quite aware it would take a far wiser head than mine to answer such a question, but if I were forced to hazard a guess, I would say that it is the very lack of obvious drama or spectacle that sets the beauty of our land apart. What is pertinent is the calmness of the beauty, its sense of restraint. It is as though the land knows of it own beauty, of its own greatness, and feels no need to shout it. In comparison, the sorts of sights offered in such places as Africa and American, though undoubtedly very exciting, would, I am sure, strike the objective viewer as inferior on account of their unseemly demonstrativeness.”

Demonstrative scenery? I say! Another great instance is how, because of the jovial character of his new American employer Mr. Farraday, Stevens attempts to master the art of making witty retorts, something too casual and unplanned to be easy for him.

A certain incident “is as good an illustration as any of the hazards of uttering witticisms. By the very nature of a witticism, one is given very little time to assess its various possible repercussions before one is called to give voice to it, and one gravely risks uttering all manner of unsuitable things if one has not first acquired the necessary skill and experience. There is no reason to suppose this is not an area in which I will become proficient given time and practice, but, such are the dangers, I have decided it best, for the time being at least, not to attempt to discharge this duty in respect to Mr. Farraday until I have practiced further.”

The personality of Stevens is so alive and real, despite the obvious typecasting as “the butler,” partially because he doesn’t see himself as a type. Where he is blind, we can see and we can ask. Has he really reached the peak of his profession? Has he really become the ultimate butler he so lovingly describes? Or has his whole life been subsumed within this duty? Is his success actually a failure? Can we not love this character wholly and completely anyway, even as we ache for him?

As I said, the poignancy of this device hit me hard on the last page, at which point I burst into satisfied tears, confounding The Boyfriend. “I thought you really liked the book,” he said. “Oh yes,” I sniffed and blew unattractively into a tissue, relishing the emotion the book released.

Ishiguro, like a star athlete, makes perfection seem so simple. A good author can take a pile of letters, a collection of words, a string of sentences, and create with these simple tools a unique and solid experience, something as real to a reader as a friend, a memory or a souvenir of an eventful vacation. Though I’m a library rat, this is one book I will consider buying, just so the sight of it on the shelf can renew that flood of emotion and amazement this talented author created in me. Just so the joy — and pain — will never leave me.

Rating: 5 out of 5 stars - Buy the hardcover